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Please use this identifier to cite or link to this item: https://tede2.pucsp.br/handle/handle/4523
Tipo do documento: Dissertação
Título: Tempo-memória: conceitos cinematográficos de Alain Resnais
Autor: Fonseca, Guilherme Castro 
Primeiro orientador: Ferreira, Jerusa Pires
Resumo: This research analyses time-memory s route into Alain Resnais cinema, specifically in L anée dernière à Marienbad (1961), once we understand that the French director contrasts from the Nouvelle Vague generation for conceiving in his productions a singular point of view of time and memory, mainly concretized in the semiotic apparatus he uses and the semiotic resources embodied in temporal metaphors, bifurcations, lapses, projections, gaps, grooves and fragmentations of time and memory. We did a descriptive analysis of the path Resnais took from cinematic language to represent the non- successiveness and the non-linearity of time-memory (going against to what the modern thought attempted to fortify), guided through the semiotic resources aforementioned and how they were used so both dimensions, time and memory, could be represented by cinematic language. Starting with the definition and exposure of some time concepts e of cinematic language, we described the manner by which these elements were portrayed e which way the director expects the audience to receive them and the effects (in the audience) the movie longs for attaining. After having clarified the concepts under which Alain Resnais works, we delineated the director s work in a whole, whence we were able to infer other productions that pronounce the Resnais poetic fiction style. We finished the work com a depth and detailed analysis of L anée dernière à Marienbad (1961), work which conferred prestige to the director and focus on exhibiting temporality and memorialism
Abstract: This research analyses time-memory s route into Alain Resnais cinema, specifically in L anée dernière à Marienbad (1961), once we understand that the French director contrasts from the Nouvelle Vague generation for conceiving in his productions a singular point of view of time and memory, mainly concretized in the semiotic apparatus he uses and the semiotic resources embodied in temporal metaphors, bifurcations, lapses, projections, gaps, grooves and fragmentations of time and memory. We did a descriptive analysis of the path Resnais took from cinematic language to represent the non- successiveness and the non-linearity of time-memory (going against to what the modern thought attempted to fortify), guided through the semiotic resources aforementioned and how they were used so both dimensions, time and memory, could be represented by cinematic language. Starting with the definition and exposure of some time concepts e of cinematic language, we described the manner by which these elements were portrayed e which way the director expects the audience to receive them and the effects (in the audience) the movie longs for attaining. After having clarified the concepts under which Alain Resnais works, we delineated the director s work in a whole, whence we were able to infer other productions that pronounce the Resnais poetic fiction style. We finished the work com a depth and detailed analysis of L anée dernière à Marienbad (1961), work which conferred prestige to the director and focus on exhibiting temporality and memorialism
Palavras-chave: Linguagem cinematográfica
Tempo
Memória
Cinematic language
Time
Memory
Área(s) do CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
Idioma: por
País: BR
Instituição: Pontifícia Universidade Católica de São Paulo
Sigla da instituição: PUC-SP
Departamento: Comunicação
Programa: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
Citação: Fonseca, Guilherme Castro. Tempo-memória: conceitos cinematográficos de Alain Resnais. 2013. 58 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2013.
Tipo de acesso: Acesso Aberto
URI: https://tede2.pucsp.br/handle/handle/4523
Data de defesa: 7-Jun-2013
Appears in Collections:Programa de Estudos Pós-Graduados em Comunicação e Semiótica

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